The story takes a new turn when the police discover that Nancy wasn't killed in the accident, but was murdered by strangulation. But fearing the police and the law, both, Rohan and Maya prefer to bury the incident and remain mum and do not tell anyone about the same. One fateful night, when Rohan and Maya are returning drunk from the party, their car meets with an accident when it collides with a bike which was being driven by a lady named Nancy, who 'incidentally' happens to be Priya's step sister. While Maya leaves no stone unturned to get Rohan's attention, Rohan seems to be still 'lost in love' about Priya. For Manara, it is love at first sight when she sees Rohan, who incidentally is 'recovering' from a breakup with Priya (Shraddha Das), his girlfriend of many years and who is now settled in London. Even though the said place looks haunted, Rohan still adjusts himself to the situation despite having 'an absolute motionless and emotionless owner' who is wheel chair driven throughout and who also happens to be the father of Maya (debutante Manara). He says that with the help of the editor, he found a rented house at his friend's outhouse. ZID starts off with a flashback which has the film's protagonist Rohan (Karanvir Sharma), who is a crime reporter by profession, narrating an incident to his newspaper's editor (Mohan Kapoor) and the area's DSP (Deputy Superintendent of Police). Does the film manage to pull in the audience with the time tested subject and that too with a handful of newcomers, let's analyze. This week's release ZID treads on the same path with the addition of suspense. Keeping this as a central point, there have been many filmmakers who have tried their luck at the Box-Office. Bollywood films have many a times thrived on the very famous but true saying 'Hell hath no fury like a woman scorned'.
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